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Bellingham Weekly Review
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Become Dazzled - Cody Rivers brings late night show to prime time

By Amy Kepferle

"I'd say the atmosphere here tonight is rather splendid," noted my bearded companion as we settled into our second row seats at iDiOM Theater last Thursday a few minutes before The Best of Cody Rivers began.

It may have been the 40 ounces of Old English Malt Liquor talking, but I believe Joe was on to something. All winter, local actors Mike Mathieu and Andrew Conner have been bringing their mostly hilarious, sometimes twisted brand of sketch comedy to iDiOM's stage Saturdays at midnight under the Cody Rivers moniker, and crowds seem to approve. As the lights dimmed for the evening's prime time debut, an excited clamoring began among the knitters, hipsters and assorted theater geeks filling the space.

"Cody, Cody, Coooo--dy!" chanted the frenzied crowd awaiting the fictional pop- country sensation, one of the duo's many creations. They also stomped, hooted and threw in a holler or two before the mythical performer arrived on stage bathed in light.

A montage of poses involving cowboy hats, beer and lip-synched music followed, and the show was off.

Soon thereafter we were treated to some intricate, and oddly arousing, choreography involving a fleet-footed black bear (Conner) whose dance partner (Mathieu) was clad in a formfitting, electric-blue spandex leotard.

"When I saw that blue one in the store, I knew I had to have it," shared Mathieu after the show. "I knew I wanted to be in something tight-clad and have Andrew in an animal costume for a dance because I knew there would be no explanation necessary for that and it would be a good way to get people prepared for anything."

Having viewed three out of the past four episodes of the two-man comedic extravaganza, I already knew to expect the quirkiness inherent in Cody Rivers lineups and figured the "best of" show would offer skits from the cream of the crop. I hoped for the return of royal chefs preparing what could be their last meal in a flurry of dancing, bowl throwing, gymnastics and insanity as well as singing schoolboys in white socks and shorts who are obsessed with tennis, and, of course, Bavarian water puppetry.

And I was not disappointed.

Other than a few instances when Talky Joe verbally balked at some scatological humor during a lovelorn crooner's lament. I believe his exact words were "that's just wrong", the evening passed with due hilarity. Mathieu and Conner's fast-paced extravaganza included numerous costume changes, a veritable smorgasbord of personalities, singing, dancing, toy chopping and a successfully cheesy diatribe about universal energy that promised we'd all "become dazzled." (And we did.) Cody didn't reappear, but the audience didn't seem fazed by his absence.

"We chose to cut most of the Cody stuff out of this show because we're going to be taking it on the road and that's the only part of the show that's kind of sequential and requires a little bit of familiarity," admitted Conner, who's been collaborating with Mathieu in various forms since they met in college nearly a decade ago.

"This particular genre is new for us," he shared. "But it's really satisfying to have
creative control over everything. We've both done a lot of performing and we've both written and directed and danced but this is the first time we've had a show that was completely under our control. It's a lot of fun, but it's a ton of work. Halfway through our run we have to start coordinating the next show each month. It gets to be a pretty demanding cycle."

Mathieu agreed that the demands of Cody Rivers are both invigorating and time-consuming, but said he's glad to have Conner as his collaborator (both say they split the work 50/50).

"I also think we have a lot of the same talents," mused Mathieu. "We have the same ability to dance and play music. We're not experts on anything, but rather capable in a number of areas. So that makes the show have a pretty widespread amount of material that we do."

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